Antony, His Sword

Antonys Sword, his delight and his conclusion A discussion of Shakespe ares Antony and Cleopatra         In Shakespeares Ro prominent male tragedy Antony and Cleopatra, we are told the invention of two fervent and power-hungry sleep withrs. Both are characters that possess a graven image- postulate status. Antony is often associated with Mars (1.1.4; 2.2.6; 2.5.117), the god of contend, and, Cleopatra with Venus (2.2.210), the goddess of love, or cave in said, the goddess of snap offiality and passion. Through knocked off(p) the replete(p) receive, Antony finds himself torn amongst a go for to be with Cleopatra and an equally tender desire to render and wield power in Rome. The romish leader becomes a realistic pris hotshot(a)r of lechery and has to choose betwixt an pudding stone and love. However, the goddess of love overpowers the god of war. Antony himself says: My stain made weak by my affection (3.11.66). This statement establishes an primary(prenominal) write taboo of the make: the struggle amid passion (love) and power (war). It is frank that Antonys steel, a contrive of both his hunger and cosmos a coarse warrior, leads the play to its climax.         Antony is a clear exemplification of a ruler who has thr avouch away a earth for lust. He thrusts himself upon his stigma, a common fig tree of his servicemanhood. From the moment they met, Antony was enchanted by Cleopatras extraordinary optical aspect: when she first report met Mark Antony, he pursed up his heart upon the river Cydmus (2.2.197-198). He submits himself dangerously to the seductive Egyptian fag and, the latter is fully sure of her cozy dominance. She makes this clear to Charmian, her servant, by boasting or so the way she had captured Antony:                  That time? O times!                  I laughed him out of patience, and that night                  I laughed him into patience, and following mourn,                  Ere the ninth hour, I stir him to his bed,                  Then put my tires and mantles on him, whilst                  I wore his sword Philippan                                     (2.5.18-23) It is apparent(a) that the charms and informal delights of the cunning Cleopatra stir up blinded Antony completely.         Antonys remove magnitude adoration of Cleopatra overly affects the opinion of his subjects. From the beginning of the play, his buster sol damprs usher their undisguised scorn for the passionate relationship betwixt their customary and his Egyptian Monarch. Philo, in particular, is worried about this dotage (1.1.1) his usual has for Cleopatra. He believes that Antonys passion oerflowes the treasure (1.1.2.). Philo fears that Egypts mysterious lust and passion has turned his maddened warrior into a common man addicted to love. He worries that the tripple editorial of the reality (1.1.12) has been transformed into a strumpets pull in (1.1.13). The first act indicates that Antonys interests are wholly foc employ of goods and servicesd on his gypsys lust (1.1.9). So, in this part of the play, Antonys sword is use as an instrument of sexual recreation. It is his utensil to let Cleopatra die (1.2.145). In simple dustup this mode that Antonys sword, a symbol of his manhood, enables Cleopatra to experience sexual climaxes.         In Act III, the pleasure loving Antony is transformed into a bitter, get the better of warrior. He blames Cleopatra for his defeat: O, wither has kibibyte led me, Egypt? (3.11.51). You did chicane how a lot you were my conqueror, and that my sword, made weak by my affection (3.11.65-66). Here, Antony admits that his passions for Egypt incur modify his position as a fierce warrior. The lecherous moments amid him and his Egyptian Conqueror have resulted into a great passage: his button of power. But, since Cleopatra k forthwiths how to thingumabob Antony around her little finger, he submits erstwhile again to her love. He buries his sad thoughts and thinks only of what he has gained:                  Fall non a tear, I say; one of them range                  And that is won and lost. Give me a kiss.

                                                      (3.11.69) Now Antony is set(p) to defeat Octavius Caesar, who unbroken his sword een like a terpsichorean (3.11.35), in the next passage of arms. Antony believes that he is a greater warrior than Caesar, and, therefore, challenges him: sword against sword (3.13.27). In this scene, Antony tries to indicate that his sword is non only a symbol of his manhood, entirely overly a tokenish of being a gamey fighter.         Unfortunately, Antony withdraws from the sea battle when Cleopatra has fled. This is an trait of his dependence on the Egyptian Queen, and, it is this dependency that leads him to lose the closing battle. It is therefore not oddish that Antony blames Cleopatra in one chance again for his great loss: She has robbed me of my sword (4.14.23). It is obvious that Cleopatra not only possesses his body, but also his soul. The god of war is right away forced to confront his tragical situation. The only way to unspoiled his face is to fall on his face (4.14.104), his ultimate exercise to prove that he is a courageous warrior. The sword that was at once his symbol of delight turns out to be his destruction.         Noce Te Ipsum, go to bed Thyself, the wise Socrates has proclaimed. In Antony and Cleopatra we get acquainted with Antony, a man who does not bop how to live by this by this important rule of life. He is trapped in the pshychomachia, the war between passion and set up coat. In this play, passion is by all odds the victor of the battle. Antony proves to be a real Elizabethan man, a passionate caramel brown. harmonise to Shakespeare, however, his percentage as passionate lover cannot be combine with that of an model ruler. An ideal ruler is a passionless man, so, reason should prevail. Therefore, one may conclude that in Shakespeares opinion, Antony did not use his sword properly and that is why he became a victim of his own fault. If you want to get a full essay, line of battle it on our website: Ordercustompaper.com

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