The Many Faces of War

When a pass returns home from warf argon, some soldiers gestate they atomic number 18 expected to puzzle out like nothing happened and to turn bottom back into their old routine. Soldiers mean that they are not to let the cat out of the bag about what they had to do or what they had to absorb while at war. Instead, they keep all their feelings and traumas to themselves so that they protect the innocence of the ones they come that have not see war. With the poem Facing It, Yusef Komunyakaa uses resource to convey the last lasting inside effects war has on a person.\n in that respect is a stereotype against soldiers labeling them as tough guys. They are not allowed to become emotional publically. Soldiers are to keep it together until they are alone before they examine any emotion. In lines 1 by means of 5, the storyteller scratch line describes their reflection on memorialization and allows the reader to identify them as an Afri rat American. Then the fibber begins to shift and begins describing their personal internal turmoil as they see their face hiding inside the black granite. (Komunyakaa 2). The reader is equal to tune into the narrators emotions as they are briefly struggling with their grief. I said I wouldnt. Dammit. No tears. (Komunyakaa 4). The reader can distinctly interpret that the narrator is losing their stillness. However, in the line that follows, the narrator regains that composure by stating, Im stone. Im flesh. (Komunyakaa 5). The narrator knows that they must not state emotion and quickly regains their bearings.\n fight can also affect a persons head through time. Those who beat with the experience of war can often find their mind teetering back and forth from the bypast to the present wherever they are. A trigger, such as a car backfiring or chop passing, can send a war veterans mind right back to the battlefield. In lines 8 through 13, the narrator describes such triggers as depending on the light to annoy a d ifference. (Komunyakaa 12-...